*** out of 5
"I know, 'he's different.' They're all the same, they just have different faces so you can tell 'em apart."
Cleo Moore in a Hugo Haas noir. That match-up could describe about a half-dozen films from 1952's Strange Fascination through 1957's Hit and Run, after which she left acting and married a real estate tycoon.
This one is full of a lot of uniquely colorful environments and characters, and manages to maintain a fair amount of tension, along with its loads of noir atmosphere.